If the story told by this year’s Oscar nominations were an original screenplay, Academy members likely wouldn’t vote for its stale, predictable and entirely unoriginal narrative.
Actually, the “same old” narrative probably wouldn’t matter all that much. As long as a man directs it.
Nominees for the 92nd Academy Awards were announced Monday by the Academy of Motion Picture Arts and Sciences.
No women were nominated for Best Director. Only four women have been nominated in the category in 92 years, including Greta Gerwig (2017), who was overlooked this year for directing Little Women. (Kathryn Bigelow is the only winner in history, for The Hurt Locker in 2010.)
Gerwig is nominated for Best Adapted Screenplay. Little Women won the category at the 25th Critics’ Choice Awards on Jan. 12. Gerwig has also won for screenwriting in many major city critics groups.
Krysty Wilson-Cairns is nominated for co-writing 1917 with director Sam Mendes. She is the only female represented in the Best Original Screenplay category. These two films are the only Best Picture nominees with women writers, of nine movies in the category.
Little Women is the only Best Picture nominee directed by a woman. Actors Saoirse Ronan and Florence Pugh are recognized, along with Alexandre Desplat for Best Original Score and Jacquline Durran for Costume Design.
Four actors of 20 nominees were in films directed by women. In addition to Ronan and Pugh, Cynthia Erivo is nominated for Best Actress for her role as Harriet Tubman in Kasi Lemmons’ Harriet, which is also nominated for Best Original Song (“Stand Up”). Tom Hanks is nominated for portraying Fred Rogers in Marielle Heller’s A Beautiful Day in the Neighborhood.
Four of five films nominated for Best Documentary are directed by women: American Factory, The Edge of Democracy, For Sama and Honeyland (which is the only film directed by a woman in the Best International Feature category). Portrait of a Lady on Fire was not submitted as its country’s International Feature selection despite widespread critical acclaim.
No female cinematographers were nominated. Screenplay and cinematography were completely ignored for female-directed films like Lulu Wang’s The Farewell. Actors Awkwafina and Zhao Zhen were snubbed despite their Golden Globe, Critics’ Choice and Screen Actors Guild nominations.
The Academy’s biased and skewed system is nothing new. But in a year when more than 200 films from female writers and directors were released, and many were recognized by other voting bodies, it is especially disheartening to see only one film with decent Oscar representation.
© Georgiana E. Presecky (1/13/20) FF2 Media
Photo Courtesy of Sony Pictures and Focus Features