Currently Browsing: Sophia Jin
Julie Dash’s 1991 film, Daughters of the Dust, was selected for the National Film Registry by the Library of Congress for being “culturally, historically or aesthetically significant.” It explores themes of life vs. death, and old vs. new. Set in 1902, Daughters of the Dust shows the difference between the people who remained living in their traditional lives on one of the islands off the coast of Georgia, and those who chose to emigrate and try a new life on the mainland of America.
Mary’s essential qualities are faithfulness, devotion, humility, and purity. This imagery is in stark contrast to La Ciénaga, between the rampant mess of Mecha’s household against the gravitas that comes with Catholicism. Martel explores her favorite subject in the film––the troubled mind.
Prata’s work, Sleepwalking Land, is an adaptation of Mia Couto’s novel of the same name about wartime in Mozambique between 1977-1992 and the common people’s struggles to survive the conflict. Quite often, when a woman creates a film, she is labeled a “female filmmaker.” Her work is limited by her gender role and the stigma which comes attached to it. Men are not labeled in the same fashion. Teresa Prata, the director and writer of Sleepwalking Land, separates herself and her work from that label.
Mica Levi, also known as “Micachu”, was born just outside of London to a record collector and a professional cellist. Micachu played the violin since she was old enough to hold one, and attended the Purcell School on a scholarship given by the Music and Ballet scheme. After finishing Purcell, she went on to study composition at Guildhall School of Music and Dance, where she was awarded another scholarship. Here, she met Raisa Khan and Marc Pell, who later together formed “Micachu and the Shapes”.
Isobel Waller-Bridge is an award-winning composer born on April 23rd 1984 in England, known for her work on Fleabag and Black Mirror.
Born on 11th December 1960 in Surrey, UK, Rachel Portman is “one of the most prolific film score composers of the modern age,” having written over 100 scores for films and stage productions.