The eighth annual Athena Film Festival will be held February 22-25 at Barnard College.
The British Academy of Film and Television Arts announced its BAFTA winners February 18 at the Royal Albert Hall in London, with very little recognition for female nominees in major categories. I Am Not a Witch writer-director Rungango Nyani (above, with producer Emily Morgan) is the only woman winner recognized outside of the acting categories,…
Though The Insult is now an Oscar-nominated film – a first for Lebanon – it seems that the mainstream media is focusing primarily on Ziad Doueiri (the director) and his contributions to the film, making for another case where the female filmmaker is left in shadows and receives no recognition for the work she put…
Throughout this season, we have noticed one thing about a lot of the films coming out that have something in common: passionate women. From Lady Bird to The Post, from Three Bilboards Outside Ebbing, Missouri to I, Tonya, films this year have featured women front and center.
Advocates in support of women were both heard and seen at last night's 75th Golden Globe Awards. The nominees and presenters all wore black in support of sexual assault and domestic abuse survivors, and to send a message about ending gender inequality in the workplace.
Only two of the features are directed by women. The first, The Last Goldfish, is an 81-minute documentary by Australian director Su Goldfish, which documents her journey after discovering she has siblings. She uncovers her family history before and after Nazism and her Jewish heritage.
In 2017, Allison Schroeder, nominated in the Best Adapted Screenplay category for Hidden Figures, was the stand alone woman nominated for film writing last year. The 2018 Writers Guild Awards nominations, however, include a dramatic increase in female representation.