Features

Marie-Louise Iribe pioneered French cinema but is largely forgotten today

TCM will feature films from 12 decades—and representing 44 countries—totaling 100 classic and current titles all created by women. Read more about this here!  Written by FF2 Associate Nicole Ackman  If you search Marie-Louise Iribe’s name on Google, the results don’t yield much information. She was an actress and director of early French cinema, founded […]

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‘Daughters of the Dust’ has risen again

Julie Dash’s 1991 film, Daughters of the Dust, was selected for the National Film Registry by the Library of Congress for being “culturally, historically or aesthetically significant.” It explores themes of life vs. death, and old vs. new. Set in 1902, Daughters of the Dust shows the difference between the people who remained living in their traditional lives on one of the islands off the coast of Georgia, and those who chose to emigrate and try a new life on the  mainland of America. 

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My American Cousin (1985) is pretty creepy from a 2020 perspective

TCM will feature films from 12 decades—and representing 44 countries—totaling 100 classic and current titles all created by women. Read more about this here! The 80s were a weird time in American history, because they were far enough along to recognize the problems of the 1950s but not quite far enough along to change almost anything […]

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We Need To Talk About Kevin (2011) is more uncomfortably relevant than ever

TCM will feature films from 12 decades—and representing 44 countries—totaling 100 classic and current titles all created by women. Read more about this here!  There’s an otherwise unremarkable scene in We Need To Talk About Kevin that will disorient the 2020 viewer. When psychopathic son Kevin (Ezra Miller) opens the package of bike locks he will […]

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Puenzo’s XXY highlights the flaws in society’s tendency to classify and categorize

Set on the Uruguayan coast, Lucía Puenzo’s XXY (2007) tells the story of a 15-year-old intersex person, “Alex” (Inés Efron), who has been living as female and suppressing the development of masculine features with medication. At the start of the film, she has stopped taking this medication and begins to explore her sexual identity while trying to cope with the difficulties that come with living outside of the classifications that society assigns us.

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Emphasis on empathy: A love letter to Márta Mészáros’ Adoption

For me, Márta Mészáros’ Adoption (1975) crashed over me in a wave. In this Hungarian black and white film, 43-year-old factory worker “Kata” (Katalin Berek) desperately wants a baby. When her married lover “Jóska” (László Szabó) rejects the idea of having one together, Kata looks into adoption. During this time, she grows close to the orphaned teen “Anna” (Gyöngyvér Vigh), who wants to leave the orphanage and marry her love “Sanyi” (Péter Fried). 

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