It’s shaping up to be an amazing week for female filmmakers. The Golden Globes have just announced their nominees, and for the first time in history, three out of five nominees for best director are women! Not only is this the first time a majority of the directors are women, this is also the first […]
Deb Verhoeven is a Professor of Digital Humanities and Women’s & Gender Studies at the University of Alberta. She is also a researcher, film critic, data enthusiast. Lucky for us, she is about to embark on a global research initiative that is a game-changer in addressing inequality in the film industry.
While theaters and auditoriums have been closed due to COVID-19, performing arts companies have gotten creative in providing content to their patrons. Carron Little, Scottish artist, co-founder and curator of public performance series Out of Site (OoS), made the jump to digital in 2020 and has a full line up for 2021 including several Out of Site performances, artists talks, and a performing arts symposia as well as her own performances.
Sundance Film Festival, which will take place online and on satellite screenings in select locations across the US, has announced the films it will feature in this year’s festival. This is going to be a good year for female filmmakers: across the full slate of films featured at Sundance this year, 50% (69 out of […]
Like all things 2020, last year was a very unusual one for film. The pandemic closed most movie theatres, shut down filming, and caused many films’ release dates to be rescheduled. However, there were a sizable number of period dramas released either before quarantine began or digitally. Many of these period-piece films were directed by […]
Apart from jewelers themselves, nobody is quite as familiar with jewelry, its uses, symbolism, and history as journalist and writer Melanie Grant. In her book, Coveted: Art and Innovation in High Jewelry (2020), she offers a comprehensive look at jewelry as an art. Her commentary, along with that of successful jewelers, fosters an appreciation for the craft and sparks a conversation on its role in society. Throughout her musings, Grant explores jewelry’s commercialist undercurrent, which quietly undermines its artistic integrity by discouraging freedom and innovation.