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Andrea Arnold is a British director, screenwriter, and actress. She won an Oscar in 2005 for her short film “Wasp,” about a young single mother, their family’s lifestyle, and her brushes with romance and human connection.
Since filmmaker Carol Dysinger found out that her documentary short was nominated for an Oscar last week, she’s been flown all over the country for press and screenings. For her short, “Learning to Skateboard in a Warzone (If You’re a Girl),” Dysinger spent time with Skateistan School House and Skate Park. Here, in Kabul, Afghanistan, […]
Beginning last weekend and closing this Sunday, August 12, Kew Gardens Festival of Cinema is in its second year and growing. With screenings and events in Forest Hills, Queens and its nearby neighborhoods, this is an event rooted in community.
Dark Money is more like an intellectual alarm bell. This movie is meant to elicit a tangible response. At the Q&A afterward, John Adams, the investigative journalist featured in the film, said he would like it to result in a “groundswell.”
I think back on the first film I ever worked on. It was directed by a woman, Ursula Ellis. At the time she was in the midst of her MFA at Columbia, and she already had some impressive projects under her belt in her production company name, Little Bear Pictures.
It’s so impressive to me, the delicacy with which filmmaker Carla Simón presents these facts of the human heart. In Summer 1993, people hardly talk about anything directly: they feel things out, they rely on the constancy of each other’s company that allows for problems never to be fully acknowledged.