Amelie Lasker
Amelie Lasker 20 posts
Contributing Editor Amelie Lasker joined FF2 Media in early 2016 after graduating from Columbia University where she studied English and history. She has written plays and had readings for Columbia’s student-written theatre company Nomads, edited the blog for Columbia’s film journal Double Exposure, and worked on film crews and participated in workshops at Columbia University Film Productions. She spent junior year abroad at Cambridge University, where she had many opportunities for student playwrights to see their work produced. 

Currently Browsing: Amelie Lasker

Women’s History Month: Andrea Arnold

Andrea Arnold is a British director, screenwriter, and actress. She won an Oscar in 2005 for her short film “Wasp,” about a young single mother, their family’s lifestyle, and her brushes with romance and human connection.


Oscar-nominated documentary filmmaker Carol Dysinger talks women-supported communities and the making of her career

Since filmmaker Carol Dysinger found out that her documentary short was nominated for an Oscar last week, she’s been flown all over the country for press and screenings. For her short, “Learning to Skateboard in a Warzone (If You’re a Girl),” Dysinger spent time with Skateistan School House and Skate Park. Here, in Kabul, Afghanistan, […]


By independent filmmakers, for lovers of independent film (or really, film in general): Kew Gardens Festival of Cinema

Beginning last weekend and closing this Sunday, August 12, Kew Gardens Festival of Cinema is in its second year and growing. With screenings and events in Forest Hills, Queens and its nearby neighborhoods, this is an event rooted in community.


A ‘Dark Money’ Q&A: What would a groundswell look like?

Dark Money is more like an intellectual alarm bell. This movie is meant to elicit a tangible response. At the Q&A afterward, John Adams, the investigative journalist featured in the film, said he would like it to result in a “groundswell.”


Ursula Ellis, writer, director and fearless channeler of everyone’s inner punk teen

I think back on the first film I ever worked on. It was directed by a woman, Ursula Ellis. At the time she was in the midst of her MFA at Columbia, and she already had some impressive projects under her belt in her production company name, Little Bear Pictures.


An appreciation of Carla Simón’s ‘Summer 1993’

It’s so impressive to me, the delicacy with which filmmaker Carla Simón presents these facts of the human heart. In Summer 1993, people hardly talk about anything directly: they feel things out, they rely on the constancy of each other’s company that allows for problems never to be fully acknowledged.