Currently Browsing: Dayna Hagewood
Charlotte Wells’ debut feature film Aftersun has taken 2022 by perfect storm. It’s even on track to capture 2023 with Independent Spirit Award nominations and potential Oscars nomination buzz swirling in the air. From winning the Sight and Sound “Best Films of 2022” poll to topping out global nomination circles, Charlotte Wells’ distinct voice might just be here to stay.… read more.
Last week, “Sight and Sound” (an elite magazine published by the British Film Institute which has been in the film polling business since 1952) released their heavily awaited poll results for the top 100 “greatest films of all time” with shocking results.
Chantal Akerman’s masterful Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles stole the number one spot!… read more.
FF2 is pleased to announce the introduction of a brand new series: SWAN of the Day! In recognition of all of the amazing women artists out there, we will be celebrating someone new on special days. Stay tuned to learn about visual artists, performing artists, literary artists, applied artists, and beyond!
We are also thrilled to introduce Anna Nappi, who will be celebrating these women artists.… read more.
As many of our regular readers surely know, the FF2 Media team used to meet up in Manhattan every Friday to catch all of the new films written or directed by women that were released each week. These Fridays were full of spirited discussion, lots of espresso, and many hurried trips up and down town. For FF2 team members, these mad Friday dashes were affectionately known as “The Runaround.”… read more.
At this point, we are fatigued from hearing about the millions of ways that the pandemic has thrown our lives into disarray. Whether it is staring at a computer screen for 10 hours a day, ordering groceries online, or struggling to see family and friends, this past year has certainly exacted its toll. The pandemic has significantly modified our daily lives and eliminated many of the enriching activities that keep us going. … read more.
