Currently Browsing: Stephanie A. Taylor
Cinema Femme Magazine is just about to kick off its third annual “Cinema Femme Short Film Festival.”
This year’s CFSFF will run from April 30th through May 4th, showcasing emerging female and non-binary filmmakers not just from Chicago, but internationally.
The goal is to stress the importance of supporting up-and-coming filmmakers by connecting them with seasoned professionals in the industry through the “Breaking Down Walls” mentorship program.… read more.
Indie films are in a precarious position. The model that served pre-pandemic – premieres at the annual Sundance Film Festival leading to purchases by distributors with plans for national theatrical roll-outs – seems to have crumbled now that so many audience members have become accustomed to streaming new releases at home.… read more.
Joyce Bryant, who was a singer, dancer, and civil rights activist, died on November 20, 2022, in Los Angeles; her devoted niece, Robyn LaBeaud, was by her side.
With her sultry stage presence, Joyce rose to fame in the late 1940s and early 1950s. Her trademarks included silver hair and very tight mermaid dresses with daring necklines.… read more.
On September 28th, Chicago’s Indie film community gathered at the Arts Club of Chicago to honor multi-talented entrepreneur, publisher, author, producer, and philanthropist Chaz Ebert with the FACETS Legend Award at the Screen Gems 2022 Benefit.
FACETS is a non-profit organization that was founded by the late Milos Stehlik in 1975.… read more.
Today — Wednesday April 27th — Netflix is releasing its highly-publicized new documentary, The Mystery of Marilyn Monroe: The Lost Tapes, directed by Emma Cooper.
The film – focused on the final years of Marilyn’s life – consists of previously unheard tapes of people who knew Marilyn Monroe. These tapes were recorded by journalist Anthony (Tony) Summers over four decades.… read more.
Maya Angelou’s directorial debut, Down in the Delta (1998), tells a story of the Sinclair family’s history (in the tumultuous past) and solidarity (in the treacherous present). Under her insightful direction, every member of the large shines. (SAT: 4.5/5)
Maya Angelou’s directorial debut, Down in the Delta (1998) opens in a poor Chicago neighborhood where Rosa Lynn (Mary Alice) does her best to care for her drug-addicted daughter Loretta (Alfre Woodard).… read more.