Currently Browsing: Knock Down the House

Women’s History Month: 3 political Docs to Stream on Netflix before the Election

In the time of COVID-19, it’s easy to feel completely out of control. Articles sweep across our timelines warning us that the virus may plague us for weeks, months, even years. Death tolls rise every day. Our jobs are at risk. Our social lives feel like they’re deteriorating. In the (only slightly exaggerated) words of myself and those around me, “The world is on fire.”read more.

CONTINUE READING

Women’s History Month: Streaming documentaries tell diverse female stories

March is Women’s History Month, in which we celebrate International Women’s Day and International SWAN Day in support of women artists. The “golden age of documentary” has opened doors for female filmmakers by providing them with opportunities to tell women’s stories through compelling and true narratives. read more.

CONTINUE READING

10 New Must-See Films Directed by Women

Only three of the top 10 certified-fresh films of 2019 on Rotten Tomatoes are directed by women. Documentaries Hail Satan? and Knock Down the House are both 100 percent fresh, while Olivia Wilde’s buzzy comedy Booksmart sits at 97 percent.

Members of FF2 Media’s all-female staff watch and review every film released theatrically in New York City with a female director and/or screenwriter attached.read more.

CONTINUE READING

Sophia’s Athena 2019 Experience

On February 28, 2019—a cold Thursday night—my sister and I waited amongst a crowd to enter Barnard College’s Miller Theatre to watch Fast Color. I was so excited to see the FF2 Media logo on the banner that was at the entrance! To open the Athena Film Festival, a quick introductory speech was given by the founders, Kathryn Kolbert and Melissa Silverstein.read more.

CONTINUE READING

Julia’s Athena 2019 Experience

I kicked off Athena with a ‘Panel on Filmmaking’ with Julia Hart, writer and director of Fast Color, which had aired at the festival the evening before. Not only was Hart effortlessly witty and intelligent, it felt like she spoke to my soul. She introduced the concept of “uncentering” yourself as the director—in other words, removing yourself from your role as the sole decision-maker and voice of authority on set and opening up the floor for collaboration from the cast and the creative team.read more.

CONTINUE READING