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A Ghost Army in a ‘Sleepwalking Land’ is a Story Worth Hearing

Prata’s work, Sleepwalking Land, is an adaptation of Mia Couto’s novel of the same name about wartime in Mozambique between 1977-1992 and the common people’s struggles to survive the conflict. Quite often, when a woman creates a film, she is labeled a “female filmmaker.” Her work is limited by her gender role and the stigma which comes attached to it. Men are not labeled in the same fashion. Teresa Prata, the director and writer of Sleepwalking Land, separates herself and her work from that label.
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Akerman’s ‘Je Tu Il Elle’ and the Power of Ambiguity

Regarding plot, there isn’t much to summarize in Chantal Akerman’s Je Tu Il Elle (1974). In the Belgian director’s second feature-length film, the principal character “Julie” (played by Akerman herself) spends a month in voluntary isolation before hitchhiking with a truck driver (Niels Arestrup) and finally visiting her ex-girlfriend (Claire Wauthion). If the camera dedicates a full five minutes to a scene in which Julie and the driver drink their beers and smoke cigarettes in silence, why do I need to keep my eyes on the screen? What will I miss in the seconds that I turn away?
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The effect of critics on director Leontine Sagan’s Mädchen in Uniform and its perception during Nazi Germany

When someone considers whether to watch a film at the theaters, it’s standard practice to Google search the movie name and look at reviews. Reading the film’s summary and the reviewer’s feelings are usually enough to tip the balance on whether or not to purchase a ticket. However, these reviews are often not gender-balanced.
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Turner Classic Movies’ “Women Make Film” Series Shines Light on One Hundred Films Directed by Women

Turner Classic Movies (TCM) will premiere the lauded 14-part documentary Women Make Film, introducing weekly episodes from the series beginning on the television channel TCM September 1, 2020, at 8 pm EST and subsequent Tuesdays through December 1, 2020. 
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