Currently Browsing: November 17, 2017

ATOMIC HOMEFRONT (2017): Review by Malin Jornvi

Director Rebecca Cammisa’s documentary is a testament to the minimizing and denying by the Environmental Protection Agency (EPA) of the danger that exists in North County, and how the sacrifice of war is always  the greatest in communities furthest from the decision-makers in Washington D.C. (MJJ: 4.5/5).

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COOK OFF! (2007): Review by Amelie Lasker

In the ensemble-mockumentary vein of 2000’s Best In Show, Cook Off! is a comedy about a cooking contest, in which a group of finalists compete for the million dollar prize. For a movie that depends on light wit, it doesn’t help that many of the jokes fall flat. (AEL: 2.5/5)

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THE BREADWINNER (2017): Review by Georgiana E. Presecky

From writer Anita Doron and director Nora Twomey, The Breadwinner is a stunning portrait of a child’s plight in early-2000s Afghanistan. Superb animation and endearing dialogue set apart this heartbreaking piece of modern historical fiction. (GEP: 4.5/5)

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MUDBOUND (2017): Review by Lindsy Bissonnette

Mudbound, written/directed by Dee Rees, is set in Mississippi after WWII, and takes us through racism and sexism, and is a haunting metaphor: we all come from mud in some way or another, we are sculpted by the places and events around us, and are all destined to return to it when we finally meet our maker.  (4.5/5)

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SONG OF GRANITE (2017): Review by Brigid K. Presecky

The Irish biographical drama written and directed by Pat Collins (and co-written by Eoghan Mac Giolla Bhride and Sharon Whooley) tells the story of legendary “old-style” singer Joe Heaney. (BKP: 3.5/5)

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