Currently Browsing: December 4, 2018

Dark family drama “Back Roads” shows aftermath of loving the wrong way

Written by Tawni O’Dell and Adrian Lyne, Back Roads is a directorial debut from director-actor Alex Pettyfer about a young man who is left to take care of his crumbling family. Based on the novel of the same name by O’Dell, a mother goes to jail for killing her husband, leaving her son to make a living and care for his three younger sisters. (KIZJ: 4/5)

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‘Bernie the Dolphin’ gives life lessons for audiences under 10

Bernie the Dolphin takes the viewer to St. Augustine, Florida as two children uncover a plot to destroy their beloved marine hangout—and must conspire to preserve the environment and the dolphins they’ve befriended. (BV: 2.5/5)

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Psychological thriller ‘The Charmer’ frontlines fear, desperation of immigrants

The Charmer is a psychological thriller that centers Iranian immigrant Esmail as he searches for a girlfriend that can help him stay in Denmark. He finds himself in trouble along the way as he encounters trials from his past. (3.5/5)

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DIVIDE AND CONQUER – THE STORY OF ROGER AILES (2018): Review by FF2 Media

Director Alexis Bloom chooses a Roman battle tactic as the title for Divide and Conquer, her documentary on Fox News’s Caligula. They say sunlight is the best disinfectant, though this film made me wonder if anything can cleanse America’s political palate after Roger Ailes’s career. (GPG: 5/5) Review by FF2 Contributor Giorgi Plys-Garzotto Like his […]

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Star, producer Aniston returns to comedy gold in ‘Dumplin'”

“As Dolly would say, ‘It’s hard being a diamond in a rhinestone world,’” Willowdean Dixon’s Aunt Lucy tells her in the opening sequence of Dumplin’. The popular Netflix feature directed by Anne Fletcher, written by Kristin Hahn and starring Danielle Macdonald is exactly that – a diamond in a world of rhinestone movies that try and fail to preach body positivity. Adapted from the novel by Julie Murphy, Dumplin’ is an inspiring comedy for bigger girls everywhere, who haven’t really had a protagonist they can count on – until now. (BKP: 4/5)

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‘Mary Queen of Scots’ is a fiery drama about love, war and feminine power

Directed by Josie Rourke, Mary Queen of Scots is a historical drama about Mary Stuart, Queen of Scotland, and Elizabeth I, Queen of England, and their fiery rivalry for the throne. Though the plot unfolds a bit too quickly and important details seem rushed, Saoirse Ronan and Margot Robbie positively shine as the queens, and […]

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Alex O Eaton’s ‘Mountain Rest’ tells story of family reconciliation

In Alex O Eaton’s directorial and writing debut, award winning Mountain Rest brings an aging actress and estranged daughter and granddaughter together to reconcile. (SYJ: 2.5/5)

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‘Mowgli: Legend of the Jungle’ another retelling of classic origin story

Mowgli: Legend of the Jungle is a visually impressive live-action film that retells the story of The Jungle Book from the point of view of Mowgli the “man cub.” Rudyard Kipling’s century-old story has been retold several times, from the well-known 1967 Disney animated film to Jon Favreau’s 2016 adaptation. From first-time screenwriter Callie Kloves and director Andy Serkis (a motion capture expert), Netflix’s Mowgli is an origin story that’s biggest failing is being told too many times. (BKP: 3.5/5)

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ON MY SKIN (2018): Review by Katharine Cutler

Based on a true story, On My Skin is the haunting death of Stefano Cucchi, killed after being arrested for a minor crime. The film explores the week he spent in custody and attempts to give an explanation of his psyche before his tragic death. (KAC: 4.5/5) Review by FF2 Intern Katharine Cutler Directed by […]

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THE PARTY’S JUST BEGINNING (2018) Review by Giorgi Plys-Garzotto

Karen Gillan makes her directorial debut with The Party’s Just Beginning, a movie that—while it has its problems—has punchy dialogue, vivid characters, and a lot to say about life as a millennial. Gillan’s direction gives the film a frenetic electronic score and some vital, real performances that make up for any failings in the script. […]

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