Currently Browsing: Amelie Lasker
XXY is about wielding love over fear, about parents realizing that “wanting the best” for their children sometimes means something unexpected.
Antonia’s Line is a female-focused fairytale from the mid-1990s that transports viewers to a quaint Dutch village where Antonia builds a multi-generational eclectic family.
It’s remarkable to have a film with no men present that is entirely focused on women simply existing together. But more importantly, the way that it deals with aging and mortality is unique.
Full of conversations from the center of action at organizers’ meetings and on picket lines, the documentary gives a vivid picture of the mineworkers’ lives and dreams. (AEL: 4.5/5)
Expertly directed by Lina Wertmüller, the film is full of stunning visuals, even if it’s a difficult watch for a modern audience.
This movie is about friendship, but also xenophobia, class warfare, and the necessity of cooperation for survival. And this complexity makes the movie feel expansive, and leaves me thinking about it days after seeing it. (AEL: 4.5/5)
Vitalina Varela tells the story of a woman who arrives in Lisbon after the death of her husband, and subsequently tries to disentangle the history of his life there without her. (AEL: 4/5)
Following a mysterious car accident in the desert, Dafne suffers from post-traumatic amnesia. Jake, the first person she sees when she regains consciousness, tells her he’s her husband. You Go to My Head opens 2/14. FF2 review coming soon!
Stuffed is a documentary about taxidermy. It sounds grim, and it definitely is. But it’s also quirky and beautiful, and the people who do it are incredibly refined in their craft. (AEL: 3.5/5)
The animated revival of The Addams Family is perfect for celebrating the fun and light side of Halloween spook (any time of year). (AEL: 3.5/5)
In Fiddler: A Miracle of Miracles, writer-director Max Lewkowicz and writer Valerie Thomas illuminate the rich history behind the classic musical, unpack its artistic influences, and explore the sources of the story’s universal power. (AEL: 4.5/5) Review by Contributing Editor Amelie Lasker In one of my favorite sequences in the documentary, many Tevyes are spliced […]
In The Most Dangerous Year, Knowlton takes a personal approach, telling her own family’s story as well as those of other families in the community. (AEL: 3.5/5)
In Catching Sight of Thelma and Louise, fans and members of the original cast and crew share their experiences with the iconic film. Documentarian Jennifer Townsend enlists a group of fans to explore the film’s funniest and most difficult moments, and to appreciate the cultural significance the film retains. (AEL: 4/5)
From French-Canadian filmmakers Sophie Lorain and Catherine Léger, Slut in a Good Way is a comedy about three friends who start working in a toy shop–one where there are so many cute boys. The film celebrates teen girlhood, sexual freedom, and the special humor shared among best friends. (AEL: 4/5)
With two compelling co-stars and a tight, heart-wrenching plot, Styx is a drama that’s hard to get out of your head. (AEL: 4.5/5)
Thanks to the filmmakers’ handle on the romantic comedy genre, Juliet, Naked is highly watchable, a fun take on a winning premise. (AEL: 3.5/5)
Through a repetitive narrative cycle and an intimate arc portrayed by lead actress Binoche, acclaimed French filmmaker Claire Denis explores how depressing and isolating the search for love can be. (AEL: 3.5/5)
A gentle score and soft, dreamy flashbacks give this film the feel of a period romance, though the story’s loyalty to Lou’s own obstinate personality ultimately makes it a fascinating character study. Well done, Lou Andreas-Salomé! (AEL: 4/5)
Zhao has woven a story that is delicate and visually gorgeous, based on real ambitions and pains in the lives of Jandreau and his family and friends. (AEL: 5/5)
In This Is Home: A Refugee Story, filmmakers follow four Syrian families in their first months as refugees in Baltimore, Maryland. Their story is sweet and sensitive, but not at all easy. (AEL: 4.5/5)
Co-written by Meg Leonard, Finding Your Feetfollows Sandra (Imelda Staunton) when her husband of thirty-five years leaves her for a mutual friend. Lost and heartbroken, Sandra moves in with her adventurous and charming estranged sister Bif (Celia Imrie). It’s rare to see a movie with a cast of characters who are almost entirely retirement age or older, and it’s even rarer to see these characters portrayed in full depth. What results is a fun and poignant development on romantic comedy. (AEL: 4/5)
Pacific Rim: Uprising has memorable characters and a satisfyingly complex story, and for lovers of action, it comes highly recommended. (AEL: 3.5/5)
“Lara Croft” (Alicia Vikander) leaves her home in London in search of the island off the coast of Japan where her father disappeared seven years ago. In an ensuing action-adventure story that soon expands far beyond her family, Lara’s bravery and stubbornness are tested over and over again. (AEL: 3/5)
Alison Chernick’s documentary Itzhak celebrates the life and work of world-renowned violinist and teacher Itzhak Perlman. With glimpses into Itzhak’s married life, Jewish heritage, and warm circle of friends, Itzhak is a charming portrait of a beloved musician. (AEL: 4/5)
The debut film from writer and director Ashley McKenzie, Werewolf is the story of “Nessa” (Bhreagh MacNeil) and “Blaise” (Andrew Gillis), who are trying to get through a methadone program and to escape their small town. The film is at many times hard to watch, but its nuanced character development makes it a story worth telling. (AEL: 4.5/5)
Written and directed by Hungarian filmmaker Ildikó Envedi, On Body and Soul is a strange and meditative love story of sorts between two managerial workers in a cattle slaughterhouse. (AEL: 4/5)
In documentary The Opera House, writer and director Susan Froemke tells the story of the Met Opera and the people who built it and love it. In this unexpectedly personal account, we get charming insights into opera stars’, house managers’ and executives’, and architects’ experiences. Froemke has created a fascinating picture of how art and humanity survive across time and place. (AEL: 4/5)
Written and directed by Bethany Ashton Wolf, Forever My Girl tells the story of country music star “Liam Page” (Alex Roe). Tired of his fame and generally uninspired, Liam returns to the small, close-knit town in Louisiana that he abandoned abruptly years ago. While undoubtedly a romance, Forever My Girl is also a story of forgiveness, grief, and family. It’s a success of its genre. (AEL: 4/5)
When Ellie leaves her New York bubble of gallery shows and art students to housesit upstate for a summer, she is surprised by the discoveries she makes, in friendships and in artistic projects alike. With a casual pace and some particularly poignant and funny moments, My Art is a quiet enjoyment. (AEL: 3.5/5)
In Pitch Perfect 3, co-written by Kay Cannon and directed by Trish Sie, former members of college a cappella group “the Bellas” reunite for a USO tour. Pitch Perfect 3’s main appeal is its fun music and dancing, supported by nostalgia for the first two movies in the trilogy. (AEL: 3/5)